{"version":"1.0","provider_name":"Revista Sur","provider_url":"https:\/\/www.revistasur.cl\/revistasur.cl","author_name":"Alexandra Vega Rivera","author_url":"https:\/\/www.revistasur.cl\/revistasur.cl\/author\/alexandra-vega-rivera\/","title":"Entre el pasaporte, el men\u00fa y el gui\u00f3n - Revista Sur","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"i416M4BG7R\"><a href=\"https:\/\/www.revistasur.cl\/revistasur.cl\/2019\/11\/entre-el-pasaporte-el-menu-y-el-guion\/\">Entre el pasaporte, el men\u00fa y el gui\u00f3n<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revistasur.cl\/revistasur.cl\/2019\/11\/entre-el-pasaporte-el-menu-y-el-guion\/embed\/#?secret=i416M4BG7R\" width=\"600\" height=\"338\" title=\"\u00abEntre el pasaporte, el men\u00fa y el gui\u00f3n\u00bb \u2014 Revista Sur\" data-secret=\"i416M4BG7R\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.revistasur.cl\/wp-content\/uploads\/2019\/12\/MG_1045263-1-1024x683.jpg","thumbnail_width":1024,"thumbnail_height":683,"description":"Pocas acciones tienen tanta carga pol\u00edtica y emotiva al mismo tiempo como migrar. Y pensar al teatro como un universo alejado de esas dimensiones es un acto de ingenuidad. Detr\u00e1s de la decisi\u00f3n de migrar se da la combinaci\u00f3n de varios factores, pero, para que migrar sea posible debe haber dos esenciales: un lugar de..."}